Solo Performer & Clown

“Supreme Laughs” – SF Chronicle

“Funny and poignant” – SF Examiner

“Best Solo Show” – Bay Area Reporter

Kenny Yun is an award winning solo theater maker and director.

He has created seven solo performance works:
Lettuce Town Lies
Directed by David Ford. Best Solo Show by San Francisco press.

The Dream
Directed by Charlie Varon

The Kim Jong-Il Experience
Directed by David Ford.

Mom Spilled Guts on My Tater Tots
Directed by David Ford

Couch Potato Panda Bear Rituals
Directed by Charlie Varon

Who You Gonna Call? Ghostbusters Grandma!
Work-in-progress. Directed by Armand Volkas

Hyphen-Murican
Work-in-progress. Directed by Charlie Varon

His solo theater shows have been presented at The Marsh, StageWerx, Solo Sundays, Tell It On Tuesday, Sunset Solos, and Z-Space.

Kenny Yun

He was one of the three longest serving instructors at The Marsh, a nationally recognized solo performance theater and development space, where he co-taught for a decade with Charlie Varon.

Kenny is an apprentice of Chris Bayes, head of physical acting at the Yale School of Drama. He is one of the first Korean American solo theater teachers in the US.

 

Latest

2026

  • Taught solo performance at the Association of Writers & Writing Programs (AWP) conference in Los Angeles.
  • Started physical theater based clown teacher apprenticeship with Chris Bayes.
  • Performs regularly in New York clown shows.
  • Teaching solo theater workshop for clowns and actors.
  • Taught solo theater for clowns workshop in New York.
  • Devised new clown act with Julia Proctor, founder of Clown Gym and former apprentice of Chris Bayes.
  • Acted in staged play reading of Gena Oppenheim’s “Jesus, Titanic & Coca-Cola” directed by Milli Cho.
  • Acted in short-film Inhuma directed by Chi Tran.
  • Completed second clown teacher training program with Chris Bayes.
  • Started physical theatre training in Grotowski inspired Paratheatre.
  • Attended more rigorous physical theater training with Budi Miller including at Celebration Barn.


2025

  • Devised “The Three Fates Destined Salty Pain, or Miasma” a experimental play with The Assembly and an ensemble in New York.
  • Performed regularly in New York clown shows Down to Clown and The Idiot’s Hour.
  • Completed the Pandemonium Studio clown summer intensive and teacher training program with Chris Bayes, head of physical acting at the Yale School of Drama.
  • As part of the Stanford Humanities Fellowship Program 2025, mentored a Bay Area MD in playwriting on his first script that was about anesthesia induced dreams.
  • Taught solo performance at the San Francisco Writers Conference.
  • Co-taught clown for solo performers workshop in San Francisco.